After pounding storms in 1938 brought death and destruction, the river would be tamed with concrete.

For decades, the Los Angeles River has been ridiculed across the country as being as fake as a Botox brow, maligned in its own backyard as nothing more than a 51-mile concrete eyesore. But the river’s image is about to undergo a game-changing makeover, thanks to the Army Corps of Engineers’ recent endorsement of a $1 billion revitalization plan, which more than doubled an earlier recommendation.

The plan to transform an 11-mile stretch of the river from Griffith Park to downtown L.A. is intended to give people of all ages a healthy urban getaway, where they can relax and play. But back in the days when the river was first encased in concrete in one of the nation’s largest Depression-era public works projects, the federal government’s investment was about much more than improving lives. It was about saving them.

The unpredictable waterway had killed hundreds of people during a series of storms that had repeatedly devastated the region over the previous half-century. Two particularly vicious wallops in the 1930s forced local officials to seek federal help. The first, in 1934, killed dozens of people in a watery siege witnessed by folk songwriter and poet Woody Guthrie, who memorialized it in The Los Angeles New Year’s Flood:

Whilst we all celebrated
That happy New Year’s Eve,
We knew not in the morning
This whole wide world would grieve;
The waters filled our canyons
And down our mountains rolled;
That sad news rocked our nation
As of this flood it told.

No, you could not see it coming
Till through our town it rolled;
One hundred souls were taken
In that fatal New Year’s flood.

But it was the urgency generated by a second deadly storm, this one in 1938, which brought the biggest infusion of federal dollars through the New Deal’s Works Progress Administration to protect the safety of one of America’s fastest growing regions. Between February 27 and March 3 of that year, Los Angeles, Orange and Riverside counties were drenched by more than 10 inches of rain. The river jumped its banks and flooded a third of the city, killing 115 people, while destroying or damaging more than 6,000 homes. Total property damage was about $1.44 billion in today’s dollars. (See video footage of the flood here.)

The Los Angeles County Flood Control District, overseen by the Army Corps of Engineers, put 17,000 people to work on the job at the height of the Great Depression. Almost all of the work was done by hand. They moved 20 million cubic yards of earth, poured 2 million cubic yards of concrete, laid 150 million pounds of steel and set 460,000 tons of stone. The entire length of the L.A. River was channelized, along with 147 miles of tributary channeling. Also built were 5 flood control basins and 316 bridges.

The transformation of the river took 20 years to complete.

By the time it was finished, the L.A. River was unrecognizable from its natural state. About 90% of it had been lined with concrete along its sides and bottom. A natural riverbed was kept for the remaining 10%. Formerly a home for frogs, fish and birds, the river became a graffiti-scarred channel for urban runoff and garbage, sending pollutants of various sorts speeding towards the sea. It was immortalized in movies like Grease and mocked by comedian Conan O’Brien.

It was, in short, a river in name only—a reputation that restoration leaders are now determined to change, while maintaining the river’s ability to control flood waters.

In addition to the billion-dollar revitalization project, there are ongoing efforts to build a continuous 50-mile bike path and greenway along the river. Last summer, a pilot kayaking program was launched in the Elysian Park neighborhood. Based on its success, the L.A. City Council voted in February to make the program permanent, while expanding it to another section of the river, the Sepulveda Basin.

So for now, although the history of the L.A. River is still being written, a new chapter has opened.

Posted 6/5/14

The river had a history of creating havoc. Here, a house tumbles in 1912 near Figueroa Street.

When the waters of the deadly '34 storm receded, this is what Montrose in the Crescenta Valley looked like.

A headline in the Los Angeles Times, captures the 1938 storm's deadly toll.

Thousands of workers labored to channelize the river, including here, near the Soto St. bridge.

Channel walls are erected near Laurel Canyon Boulevard.

The concrete river and its tributaries, while unsightly, have worked as envisioned.

The concrete river, iconic in its own way, slices thorugh 51 miles of L.A. County.

River planners and dreamers see a communal space where people from all walks of life come for relaxation and recreation.

Pharrell Williams, performing before sold-out crowds last weekend, was joined onstage by Gwen Stefani.

Hundreds of Bruno Mars and Pharrell Williams fans found themselves “Locked Out of Heaven” at the Hollywood Bowl last weekend—and they were none too “Happy” about it.

Bowl officials estimate that several hundred would-be concertgoers were turned away from the sold-out shows when their tickets were rejected as counterfeits.

Faux ticket scams are, unfortunately, an increasingly common part of the live concert landscape. Some U2 fans were shut out of the Irish rockers’ Rose Bowl appearance in 2009. Two years ago, a number of Coldplay fans who had paid from $200 for $400 for their tickets found that they too had been duped with bogus tickets to the band’s shows at the Hollywood Bowl.

The profusion of counterfeit tickets this past weekend was widespread enough that, after the first concert on Saturday night, an anonymous Bowl employee was moved to spread the word on Craigslist in a post headlined: “Beware—I saw a lot of fake Bruno Mars tickets.”

“The event has been sold out for a while and tickets range from 200 for nosebleeds to about 1500 for front row,” the warning said, “so if someone is selling good seats for a small amount of money they are probably fake.”

In other words, watch out for deals that seem too good to be true. But be aware that even shelling out a lot for a ticket is no guarantee it’s genuine.

“It’s heartbreaking to have to turn away patrons who we know paid sometimes as much as four times face value for a fraudulent ticket,” says Gail Samuel, chief operating officer for the Los Angeles Philharmonic, which runs the county-owned Bowl under a lease agreement. “When we have a sold-out show like Bruno Mars, there is really nothing we can do to help them.”

With a series of major summer concerts ahead at the Bowl and other venues—including Beyoncé and Jay Z at the Rose Bowl and Paul McCartney at Dodger Stadium—the county Department of Consumer Affairs also has some timely advice for fans.

“A lot of these counterfeit tickets out there look very convincing, so don’t think that you can just look at a ticket and tell whether or not it’s fake,” says Dawnnesha Smith, community outreach manager for the department.

She advises consumers to buy directly from the venue’s box office or its primary ticketer (In the case of the Hollywood Bowl, that’s Ticketmaster.)

It’s best to pay with a credit card, she adds, because those purchases often come with added consumer protections. And “if you see any ads suggesting that you wire someone money to purchase a ticket, that is also a red flag. Once you wire money, it is nearly impossible to get it back so you never want to purchase an item using a wire transfer.”

“It all comes down to buying the ticket from a reputable source,” Smith says, “and being extremely leery of buying tickets online and on classified ad websites such as Craigslist.”

Ticketmaster has some tips of its own, including this one for enthusiastic fans tempted to show off their newly-purchased tickets on Facebook, Instagram and other sites:

“We cannot express this point enough, please do NOT take photos of your ticket stubs and post them on social media sites. This is the perfect way for scalpers to rip these tickets right off you.”

Bruno Mars' star-studded shows at the Bowl also attracted ticket scammers. Photo/Florent Déchard

Posted 6/5/14